F-Term-List

G10H1/00-7/12

AA00
SOUND SOURCE SYSTEMS

AA01

AA02

AA03

. Additive synthesis: harmonic synthesis, for example

. Subtractive synthesis

. Physical models

AA11

AA12

AA14

AA15

AA16

. PCM

. . Ones having a plurality of memory areas

. . Waveform read control

. . . Generation of read addresses

. . . Ones to read a portion repeatedly

AA22

AA23

AA24

AA25

AA27

. . Waveform operation

. . . Synthesis of a plurality of waveforms

. . . . Connection of a plurality of waveforms

. . . . Interpolation of a plurality of waveforms

. . Samplers

AA31

AA32

AA34

AA36

AA37

AA38

. Combination of a plurality of sound source systems

. Ones using oscillators, analog synthesizers, for example

. Other sound source systems

. Ones performing addition by changing pitch of original musical sound

. Chorus effects

. Ensemble effects

BA00
GENERATION PROCESSING OF KEY INFORMATION

BA01

BA02

BA03

BA04

BA05

BA07

BA08

BA09

. Change of key information

. . Sound producing functions

. . . Pitch change

. . . . Ones not generating a particular pitch

. . . . Association between key information and a generated pitch

. . . Sound length changes

. . . . Reduction: staccato, for example

. . . . Extension: slur or legato, for example

BA12

BA13

BA14

BA15

. . Functions other than sounding

. . . Selection of music

. . . Parameter setting

. . . Function switching

BA21

. Key assignment processing

BA31

BA32

BA33

BA34

BA35

BA37

BA38

BA40

. Key area dividing

. . Different tones

. . Melody and accompaniment

. . Different musical temperaments: ones in which a different musical temperament is set for each key area of a pure temperament and an equal temperament, for example.

. . Performance key area and control operation key area

. . Setting or switching of division positions

. . Setting or switching of division contents

. . Key scaling

BB00
CONTROL OR MODULATION ACCORDING TO KEY OPERATIONS

BB01

BB02

BB03

BB04

. Purpose of detection

. . Initial touch

. . After touch

. . Release operations

BC00
DETECTION MEANS OF KEY OPERATION

BC01

BC02

BC03

BC04

BC05

BC06

BC07

BC09

BC10

. Contents of detection

. . Traveling toward a key pushing direction

. . . Key traveling time

. . . Moving distance or position of keys

. . . . Moving distance from a specific position

. . . Traveling speed of keys

. . . Acceleration or kinetic energy of keys

. . Traveling of a key toward the right and left directions

. . Traveling of a key in the front-back direction

BC12

BC13

BC14

BC15

BC17

BC18

. . Contacting or pressing state of a key surface

. . Continuation time of key pushing

. . Time interval of key pushing

. . The number of pieces of simultaneous key pushing

. . Operation of a specific key

. . . Maximum key-pushing sound; minimum key-pushing sound

BC21

BC22

BC23

BC24

BC25

. Detection mechanisms

. . Opening and closing devices, that is, switches

. . Photo sensors

. . Magnetic sensors

. . Piezoelectric sensors

BD00
KEYBOARD STRUCTURES

BD01

BD02

BD04

BD05

BD06

. Structures of hand keyboards

. Structures of foot keyboards

. Structures for giving a feeling of touch

. . Ones having pseudo hammers

. . Ones capable of adjusting a feeling of touch

CC00
STRUCTURES OF OPERATION DETECTION MECHANISMS OTHER THAN KEYS

CC01

CC02

CC03

CC04

CC05

CC06

CC07

CC08

CC10

. Contents of detection

. . Speed

. . Acceleration

. . Angle

. . Distortion

. . Pressure

. . . Lip pressure

. . . Expiratory pressure

. . Striking force

CC12

CC13

CC14

CC15

. . Operations of sticks such as a baton

. . Twanging; choking

. . . Pitch

. . . String information

CC22

CC23

CC25

. . Posture or temperature of a human body

. . . Bending of joints and the like

. . . Overall posture

CC31

CC32

CC33

CC34

CC35

CC36

CC37

CC38

. Ones for sounding

. Ones for modulation

. . Pedals

. . Foot switches

. . levers or knee levers

. . knobs, stops or panel switches

. . Wheels

. . Pads

DA00
PITCH; SCALE

DA01

DA02

DA03

DA04

DA05

DA07

. Musical temperament

. . Pure temperament

. . Special scales

. . Switching or a combination of different scales

. . Musical temperament adjustment, that is, tuning

. Transposition; modulation

DA11

DA12

DA13

DA14

DA15

DA16

. Contents of modulation

. . Portamento

. . Glissando

. . Glide

. . Vibrato

. . Pitchbend

DB00
TONE

DB01

DB02

DB03

. Ones having a means for selection

. . Preset data storing

. . Preset data read

DB11

DB12

DB13

DB14

DB15

DB16

DB17

. Ones to change tone

. . Ones to change in accordance with a pitch

. . . Ones to change in accordance with pitch name

. . . Ones to change in accordance with vibrato

. . Ones to change in accordance with sound image positions

. . Ones to change in accordance with sound volumes

. . Ones to change in accordance with touch

DC00
SOUND VOLUME; ENVELOPE

DC01

DC02

DC03

DC04

DC06

. Operators for control

. . Keys

. . . Touch response

. . Ones having a feature in an operator

. Ones to input an envelope shape

DC11

DC12

DC13

DC14

DC16

DC17

DC18

DC19

. Modulation contents

. . Tremolo

. . Change of ADSR depending on each zone

. . . Sustain retention

. Signals for control

. . Input by a pitch or a register

. . Input by touch

. . Input by tone

DD00
LOCALIZATION

DD01

DD02

. Sound image localization according to a pitch

. Sound image localization according to tone

DE00
SOUND REVERBERATION; RESONANCE

DE01

DE02

. Ones in which a sounding channel for resonance sound is independent

. Hall reverberation effects

DF00
SIGNALS FOR MUSICAL SOUND CONTROL

DF01

DF02

DF03

DF05

DF06

DF08

. Sound signal input analysis

. . Pitch extraction

. . . Scales; pitch names; octaves

. . Sound volume extraction

. . . Envelope

. . Spectrum information extraction

EA00
AUTOMATIC ACCOMPANIMENT

EA01

EA02

EA03

EA05

EA06

EA07

EA08

EA09

EA10

. Information to be a basis of accompaniment

. . Contents of input

. . . Melodies

. . . Chords

. . . . Chord-constituting sounds

. . . . Chord names

. . . . . One-finger methods

. . . . Chord progression

. . . . . Ones to select from a plurality of pieces of chord progression

EA16

EA17

EA18

EA19

. . . . Detection of chords

. . . . . Detection from a melody

. . . . . Detection of a chord name from chord-constituting sounds

. . . . . Detection of fraction chords or inverted chords

EA23

EA25

EA26

EA27

EA29

. . . Base sounds

. . . Keys

. . . . Detection of keys

. . . . Detection of modulation

. . . Types of rhythm: waltz, for example

EA33

EA35

. . . Extraction of nonharmonic tones

. . . Detection of modes

EA41

EA43

EA45

EA46

EA47

EA48

EA49

EA50

. Time relation between operation timing and control

. Control performed only to a particular part

. Generation of chord sounds

. . Generation of base sounds

. . Generation of tension sounds

. . Conversion processing of a chord

. . Conversion processing from a chord name to chord-constituting sounds

. . Generation of arpeggiate

EA51

EA53

EA55

. Generation of rhythm sounds

. Generation of a counter melody or duet

. Generation of trills, key repeats or marimba effects

EA61

EA62

EA63

EA64

EA66

. Contents of accompaniment patterns

. . Intro; fill-in; ending patterns

. . Normal patterns

. . Ones having variation patterns

. . Accent information; intonation patterns

EA71

EA72

EA73

EA74

EA75

. Read of accompaniment patterns

. . Selection of accompaniment patterns

. . . Switching during performance

. . . . Ones having accompaniment pattern progression data

. . . . . Ones that perform selection from a plurality of pieces of accompaniment pattern progression data

EA82

EA83

EA85

EA87

. . Start; stop

. . Break; pause

. . Read position control

. . Tempo

EA91

EA92

EA94

. Generation or correction of an accompaniment pattern

. . Generation or correction of accompaniment pattern progression data

. Ones that perform output by changing the content of an accompaniment pattern

EB00
AUTOMATIC PERFORMANCE

EB01

EB02

EB03

EB04

EB05

EB06

. Data input

. . Real-time input

. . Step input

. . Input by external signals

. . . Sound signals

. . . . Analysis or digitalization of signals

EB12

EB13

EB14

EB15

EB16

. . Input of tempos

. . Input of sound volumes

. . Input of tones

. . Input of chords

. . Input of musical characters other than musical notes or rests

EB21

EB22

EB23

EB24

EB25

EB26

EB27

EB28

. Correction or compilation of data

. . Control signals; parameters

. . . Inserting or organizing repeats

. . Addition of a part

. . Mixdown

. . Designation or search of a portion of correction or compilation

. . Realtime correction

. . Quantize

EB31

EB32

EB33

EB34

EB36

EB37

EB38

EB40

. Reproduction of automatic performance data

. . Continuous reproduction: demonstration performance, for example

. . Reproduction of a particular part

. . . Minus-one

. . Start; stop

. . . Repeat; jump

. . . One-key play

. . Control or change during reproduction

EB41

. Karaoke

FF00
TRAINING; PERFORMANCE SUPPORT

FF01

FF02

FF03

FF04

FF05

FF06

FF07

FF08

. Contents of instructions

. . Performance instructions

. . . Key pushing instructions, that is, pitch instructions

. . . Fingering instructions

. . . Operation time instructions

. . . Operation timing instructions

. . . . Performance start instructions

. . . . Tempo instructions

FF11

FF12

FF13

FF14

. Targets of instructions

. . Keys

. . Frets; keys; valves

. . Operators not categorized into FF12 or FF13, such as pedal foot keyboards, are included.

FF21

FF22

FF23

FF24

FF25

FF26

FF27

. Instructing means or instruction methods

. . Sense of vision

. . . Lighting or blinking of lamps

. . . Characters, or letters

. . . Diagrams

. . . Ones to change color

. . Sense of hearing

FF31

. Point rating

GG00
AUTOMATIC COMPOSITION

GG01

GG03

GG05

GG07

. Composition by feature extraction data

. Composition by graphic data

. Ones to set conditions of melody

. Ones to which chord progression data is inputted

HH00
COMMUNICATION

HH01

HH02

HH03

HH04

. Types of data

. . Signals for musical sound control

. . Synchronization signals

. . Equipment numbers; channels

HH11

HH12

HH13

HH14

HH15

. Network formation between equipments

. . Between musical instruments

. . Between a musical instrument and a recording device

. . Between a musical instrument and a computer

. . Client-server styles

JJ00
STRUCTURES OF A MAIN BODY

JJ01

JJ02

JJ03

JJ04

JJ05

JJ07

JJ08

JJ09

. Legs; side plate parts

. Openings: ones for sound emission or heat dissipation, for example

. Caps

. . Ones being foldable

. . Ones being detachable

. Ones for portable use

. Ones for toppling prevention

. Ones having features in outer packaging forms

JJ11

JJ12

JJ13

JJ14

JJ15

JJ16

. Housing portions or attachment portions of components

. . Batteries

. . Control units

. . Speakers

. . Music stands

. . Wiring

KK00
DISPLAY

KK01

KK02

KK03

. Subjects of display

. . Musical scores

. . Parameters

KK11

KK12

KK13

KK14

. Display means

. . Sense of vision

. . Sense of hearing

. . Means for the purpose of rendering: smoke, for example

LL00
ONES HAVING A FEATURE IN A SHAPE OR CONSTITUTION OF A MUSICAL INSTRUMENT

LL01

LL02

LL04

LL05

LL06

. Sheet-shaped keyboard instruments

. . Ones capable of being folded on the occasion of non-performance

. Combined musical instruments

. . Ensemble of acoustic sound sources and electronic sound sources

. . Muted pianos

MM00
TOTAL CONTROL

MM01

MM02

MM03

MM04

MM05

MM06

. Undo

. Test

. Search

. Power sources

. . Initial setting at the time of power ON

. . Finishing operation at the time of power OFF

NN00
ELECTROPHONIC MUSICAL INSTRUMENTS WITH A NON-ELECTRONIC SOUND SOURCE

NN01

NN02

NN03

NN05

NN06

. String vibration

. . Induction pickups

. . Piezoelectric pickups

. . Electric guitars

. . . Tremolo arms

NN11

NN12

NN13

NN14

. Film vibration

. Leads

. Tuning forks; rods; pipes

. Tonewheels

5D478	ELECTROPHONIC MUSICAL INSTRUMENTS
	G10H1/00 -7/12