F-Term-List

G10H1/00-7/00,541

AA00
ADDITIVE SYNTHESIS OR HIGHER HARMONIC SYNTHESIS SOUND SOURCES

AA01

AA02

AA03

AA04

. Control of higher harmonic coefficient

. Control or selection of number of higher harmonics

. Generation of non-higher harmonic component

. Synthesis of transient sound

AB00
SUBTRACTIVE SYNTHESIS SOUND SOURCES

AB01

AB02

. obtaining fixed formant

. Control of filter characteristic

AC00
MODULATION SYNTHESIS SOUND SOURCES

AC01

AC02

AC03

AC04

AC06

AC08

. Frequency modulation or FM

. . Feedback types

. . Waveforms other than sinusoidal waves

. . FM algorithm control

. Amplitude modulation or AM

. Phase modulation

AD00
PCM SOUND SOURCE

AD01

AD02

AD03

AD04

AD05

AD07

AD08

AD09

. Waveform storage method

. . Partial waveforms

. . . Less than one period

. . . One period

. . . Multiple periods

. . Waveform data compression

. . . DPCM

. . . ADPCM

AD12

AD13

AD14

AD15

AD16

AD17

. . having multiple memory areas

. . . by tone range or by tone pitch

. . . by strength of touch

. . . having different capacities

. . . having different data sampling frequencies

. . . having different data bit numbers

AD21

AD22

AD23

AD24

AD25

AD26

AD27

. Control of waveform readout

. . Generation of readout address

. . . changing address generation periods

. . . . Generation periods varying within one cycle

. . . . . Periods conforming to a function

. . . . . Period being modulated

. . . . . Period being switched

AD33

AD34

AD35

AD36

AD37

. . . changing address step width

. . . . Step width varying within one cycle

. . . . . Step width conforming to a function

. . . . . Step width being modulated

. . . . . Step width being switched

AD42

AD44

AD45

AD47

AD48

. . Repeated readout of partial waveforms

. . Interpolation of addresses

. . . using functions

. . Simultaneous readout from multiple memory areas

. . Sequential readout from multiple memory areas

AD51

AD52

AD53

AD54

AD55

AD57

AD59

AD60

. Waveform operation

. . Synthesis of multiple waveforms

. . . Connection of multiple waveforms

. . . Interpolation between multiple waveforms

. . . Control of output timing of multiple waveforms

. . Re-storing after waveform operation

. . Conversion of sampling frequency

. . Conversion of bit number

AD61

AD62

AD63

AD65

AD67

AD68

AD69

AD70

. Inputting optional waveforms

. . Analysis of input waveform

. . . performing Fourier transformation

. . Manual input

. . Samplers

. . . Operation of input waveform

. . . Allocation of memory area

. . . Operation of stored waveform

AE00
PHYSICAL MODEL SOUND SOURCES

AE01

AE02

AE04

AE05

AE06

AE07

AE09

. Modelling

. . having loop method

. Control

. . Excitation part

. . Delay part

. . Conversion part such as filters

. Generation or setting of control parameter

AG00
OTHER SOUND SOURCES

AG01

AG02

AG03

AG04

. Combination of multiple sound sources

. using oscillators such as analogue synthesizers

. executing linear prediction calculations

. using functions recurrence formulas

BB00
COMMON TERMS OF SOUND SOURCE PARTS

BB01

BB02

BB03

BB04

BB05

BB06

BB07

BB08

BB09

BB10

. Software sound sources

. Sharing of hardware

. . Time sharing control of multiple channels

. Forming of one tone by synthesizing partial waveforms of multiple channels

. Multiple CPU

. using DSP

. Microprograms

. Making LSI of sound source

. Monophonic sound sources

. Polyphonic sound sources

BB11

BB12

BB14

BB15

BB16

BB17

BB19

BB20

. Shortening or speeding up of calculation time

. Data compression

. Generation of transient sound at the initial stage of starting musical tone generation

. Generation of sound effects

. Noise generators

. Random number generators

. Varying musical tone waveform with passage of time

. . Gradual switching from one tone to another tone

BB21

BB22

BB23

BB25

BB26

. Control of sound source control parameter

. . Setting

. . Interpolation

. Noise removal

. . Reflexed noise removal

CC00
GENERATION PROCESS OF KEY INFORMATION

CC01

CC02

CC03

CC05

CC06

. Detection of key touch

. . Digital e.g. key scan

. . Analogue e.g. generation of key voltage

. retaining key touch signals

. . Data retention after key release

CC11

CC12

CC13

CC14

CC15

CC17

CC18

CC19

. Conversion process of key information

. . Sound generating functions

. . . Conversion of tone pitch

. . . . Not generating specified tone pitch

. . . . Correspondence between key information and generated tone pitch

. . . Motifs

. . . Percussion instrument or rhythmical sounds

. . . Sound effects or the like e.g. voices or gun shot sounds

CC23

CC24

CC25

CC27

CC28

CC29

. . . Change of sound length

. . . . Shortening e.g. staccato

. . . . Elongation e.g. slur or legato

. . Functions other than sound generation

. . . Selection of music

. . . Setting of parameters

CC31

CC32

CC33

CC34

CC35

CC36

CC37

. Key assignment processing

. . Assignment conditions or truncate conditions

. . . Tones or parts

. . . Sound generation levels or envelope levels

. . . . Predicting envelope

. . . Keystroke timing

. . . Key release timing

CC42

CC43

CC44

CC45

CC46

CC47

. . CH having assignment or truncate conditions

. . with hierarchical assignment or truncate conditions

. . allocating multiple CHs to one key

. . . controlling CH number for one key

. . Truncate processing e.g. dump processing

. . Barrage processing of one key

CC51

CC52

CC53

CC54

CC55

CC57

CC58

. Division of key range

. . Different tones

. . . Melody or accompaniment

. . Different temperaments e.g. just temperament or equal temperament

. . Play key range or key range of control operation

. . Setting or switching of division position

. . Setting or switching of division content

CC62

CC63

CC64

CC65

. . Key scaling or smooth change according to tone pitch

. . . Selection or switching of key scaling curve

. . . changing tone

. . . changing tone according to tone pitch change of less than semitone

DD00
CONTROL OR MODULATION BY KEY OPERATION

DD01

DD02

DD03

DD04

DD06

. Purpose of detection

. . Initial touch

. . After touch

. . Release movement

. . Function switching

DD11

DD12

DD13

DD14

DD15

DD17

. Object of control

. . Envelope signals

. . Sound volume

. . Tone

. . Tone pitch or pitch

. . Automatic play sounds or automatic accompaniment sounds

DD21

DD22

DD23

DD24

DD25

DD26

DD27

DD29

DD30

. Processing of detection signal

. . Correction of detection signal

. . Partial usage of detection signals

. . . having different detection purposes or objects of control per section

. . Generation of different multiple signals

. . Use of conversion table

. . Cooperation with signals by operation elements

. Timing of operation and control

. . Sostenuto

DE00
DETECTION MEANS OF KEY OPERATION

DE01

DE02

DE03

DE04

DE05

DE06

DE07

DE09

DE10

. Detection contents

. . Detection of movement in key press direction

. . . Moving time of key

. . . Moving distance or position of key

. . . . Depth of push from specified position

. . . Moving speed of key

. . . Acceleration or kinetic energy of key

. . Detection of right and left key vibration

. . Detection of forward and backward movement of key

DE12

DE13

DE14

DE15

DE16

. . Contact of key surface or state of pressing pressure

. . . Pressing pressure

. . . Position of pressing pressure

. . . Contact state of key's upper surface of the key

. . . Contact state of key's side surface

DE22

DE23

DE24

DE25

DE27

DE28

. . Time duration of continuous key press

. . Time interval of key press

. . Number of simultaneous key press

. . Combination of key press except chord detection

. . Specific keys

. . . Highest key press sound or lowest key press sound

DE41

DE42

DE43

DE44

DE47

. Composition of detection method

. . per each key

. . Per tone range

. . Common with all keys

. . Detection part attached to keyboard

DE52

DE53

DE54

DE55

DE56

DE57

DE58

. . using switches

. . . No-contact switches

. . using optical sensors

. . using magnetic sensors

. . using piezo electric elements

. . using CR circuits

. . using counters

EE00
STRUCTURE OF KEYBOARDS

EE01

EE02

EE04

EE05

EE06

EE07

EE08

EE10

. Structure of hand keyboard

. Structure of foot keyboard

. Structure for attaching sense of touch

. . having hammers

. . Adjustable sense of touch

. characterised by means of interlocking operation strength

. . using air

. having multiple operation parts in one operation element

EE11

EE12

EE13

EE14

EE15

EE17

EE18

. characterised by the detection means of operation

. . detecting contact state to keyboard

. . . Keyboard side surfaces

. . . Keyboard surface

. . . detecting right and left vibration

. Keyboard accessories for places other than musical instrument body

. . attached to the body

FF00
TONE PITCH OR MUSICAL SCALE

FF01

FF02

FF03

FF04

FF05

FF07

FF10

. Temperaments

. . Pure temperaments

. . Special musical scales

. . Switching or combination of different musical scales

. . Adjustment of temperament or tuning

. Transcription or transposition

. Clock control for specifying tone pitch

FF11

FF12

FF13

FF14

FF15

FF16

FF17

FF18

FF19

. Modulation contents

. . Portamento

. . Glissando

. . Glide

. . Attack pitch

. . Decay pitch

. . Vibrato

. . . Delayed vibrato

. . Pitch bend

FF22

FF24

FF27

. . Operable or settable modulation contents

. . characterised by operation elements or the like.

. . Changing according to touch

GG00
TONE

GG01

GG02

GG03

GG04

GG05

GG06

. having selection means

. . for presetting

. . for readout of preset data

. . means for selection is panel switch

. . means for selection is other than panel switch

. . Automatic setting of tone according to control information of various musical tones

GG11

GG12

GG13

GG14

GG15

GG16

GG17

GG19

. Changing tone

. . Changing according to tone pitch

. . . Changing according to pitch notation

. . . Changing according to vibrato

. . Changing according to sound image position

. . Changing according to sound volume

. . Changing according to touch

. . characterised by operation elements or the like.

GG21

GG22

GG24

GG25

GG26

. Means for modulation

. . using tone filters

. . . Interpolation combination of filter coefficient

. . . . Varying with time

. . . . for generating intermediate tone

GG32

GG33

GG34

GG35

GG36

GG39

. . Controlling sound source

. . . Varying waveform memory

. . . . Interpolation combination

. . . . . Varying with time

. . . . . for generating intermediate tone

. . Addition of strain

HA00
SOUND VOLUME

HA01

HA02

HA03

HA04

HA08

HA09

. operation elements for control

. . Key

. . . Touch response

. . characterised by operation elements or the like.

. Types of effect

. . Tremolo

HB00
ALL ENVELOPE CONTROL

HB01

HB02

HB03

HB04

. Analogue method

. . by C-R time constant circuits

. . by transmittance shape of shutters

. . by voltage control amplifiers

HB11

HB12

HB13

HB14

HB15

HB16

HB17

HB18

HB19

HB20

. Digital method

. . Data stored in memory

. . . stored in compressed format

. . . . Target value and rate value

. . . . Generation interpolation of mean value

. . . Generation address for envelope memory

. . . . Uniform

. . . . Non-uniform

. . . . . Variation of ADSR by area

. . . . . . Sustain retention

HB23

HB28

. . . using multiple memories

. . using functions

HB31

HB32

HB33

HB34

HB36

HB37

HB38

HB39

HB40

. Data input means for generation

. . Ten key

. . operation elements or the like.

. . directly inputting forms

. Signals or the like for modulation control

. . by tone pitch tone range

. . by touch

. . by tone

. . by operation elements or the like.

JA00
LOCALIZATION

JA01

JA02

JA03

JA05

JA06

JA08

JA10

. using multiple speakers

. . Sound image localization according to tone pitch

. . Sound image localization according to tone

. . Changing phases between multiple speakers

. . Changing sound volume between multiple speakers

. . Changing set position with temporal change

. Rotating speakers

JB00
REVERBERATION OR RESONANCE

JB01

JB02

JB04

JB07

JB08

. Independent sound generation channel for resonance

. . Resonance memory

. Looping by using delay circuits

. Hall reverberation effects

. Resonance effects characteristic of musical instrument

JC00
MULTI SERIES

JC01

JC02

JC03

JC05

JC06

JC07

JC09

JC10

. Multiple tone pitches

. . Adding by changing pitch of original musical tone

. . Generation of new tone pitch musical tone from pitch of original musical tone

. Multiple tones

. . Adding by changing tone of original musical tone

. . Adding by generating musical tone by new tones

. Chorus effect

. Ensemble effect

KK00
SIGNALS FOR MUSICAL TONE CONTROL

KK01

KK02

KK03

KK05

KK06

KK07

. Analysis of acoustic signal input

. . Pitch extraction

. . . Scales pitch notations or octaves

. . Sound volume extraction

. . . Envelopes

. . Extraction of spectral information

KK11

KK12

KK13

KK14

KK15

KK16

KK17

KK18

KK19

KK20

. based on operation elements other than keys

. . by operation elements

. . . having multiple operation elements

. . . having multiple operation parts in one operation element

. . . Specifying on two dimensional coordination

. . . Specifying patterns stored in memory

. . . Panel switches

. . . Foot switches

. . . Pads

. . . Tone levers or tablets

KK23

KK24

KK25

KK26

KK28

. . . by pedals

. . . by wheel type operation elements

. . . by operation rods or arms and joysticks

. . . Volumes

. . using hall effect

KK32

KK33

KK34

KK35

KK36

KK37

KK38

KK39

KK40

. . not by operation elements

. . . Changing holding posture of musical instruments

. . . by posture and heat generation of specified parts of the human body

. . . by mouthpieces or embouchure holes

. . . String playing and choking operation

. . . by state of surroundings or environment

. . . by instruction from external devices

. . . Instructing by shape

. . . Specifying time to be assigned

KK41

KK42

KK43

KK44

KK50

. Types of signals

. . Random signals

. . Low frequency oscillators or LFO

. . Stored in memory

. having neutral zone including those relating to threshold values

LA00
AUTOMATIC ACCOMPANIMENTS

LA01

LA02

LA03

LA05

LA06

LA07

LA08

LA09

LA10

. Information for basis of accompaniment

. . Input contents

. . . Melody

. . . Chords

. . . . Chord composition sounds

. . . . Chord name

. . . . . by one finger method

. . . . Chord progression

. . . . . Selecting from a multiple of chord progressions

LA13

LA15

LA17

. . . Base sounds

. . . Key

. . . Types of rhythm e.g. waltz

LA22

LA23

LA24

LA25

LA26

LA27

LA28

LA29

LA30

. . Input means for LA02-17

. . . Keyboards

. . . . Melody key area or melody keyboard

. . . . Accompaniment key area or accompaniment keyboard

. . . . . Base key area or base pedal

. . . Memory or automatic play data

. . . Communication lines

. . . Switches

. . . using multiple input means

LA32

LA33

LA34

LA36

LA37

LA38

LA39

LA40

. . Detection of information from LA22-30

. . . Detection of key

. . . . Detection of modulation

. . . Detection of chord

. . . . Detection of chord from melody

. . . . Detection of chord name from chord composition sounds

. . . . . Processing for undetectable chord name

. . . . Detection of fraction chord / inverted chord

LA43

LA45

. . . Extraction of non-harmonic sound

. . . Detection of mode

LA51

LA53

LA55

LA56

. Time relation between operation timing and control

. Control performed on specific parts

. Allocation of tone to parts

. . Patternized tone arrangement between parts

LA61

LA62

LA63

LA64

LA65

LA66

LA67

. Generation of chord sound

. . Generation of base sound

. . Generating tension sound

. . Inversion processing of chord

. . Conversion processing from chord name to chord composition sound

. . Stroke play processing or staggered sound generation of chord composition sounds

. . Arpeggio processing

LA71

LA73

LA75

LA77

LA78

. Generation of rhythm sound or percussion instrument sound

. Generation of counter melody or duet

. Generation of trill key repeat or marimba effect

. Generation of coupler sound

. . between keyboards

LB00
USING STORED ACCOMPANIMENT PATTERNS

LB01

LB02

LB03

LB04

LB05

LB06

LB07

LB08

LB09

LB10

. Content of accompaniment pattern

. . Intro fill-in or ending patterns

. . Normal patterns

. . having variation patterns

. . having additional information per each sound generation timing

. . . Tone or musical instrument name

. . . Pitch

. . . Volume

. . . . Accent information or intonation patterns

. . characterised by data format

LB11

LB12

LB13

LB14

LB16

LB18

LB19

LB20

. Readout of accompaniment pattern

. . Selection of accompaniment pattern

. . . Switching accompaniment pattern during play

. . . . Different lengths of accompaniment pattern

. . . . Connecting each part of accompaniment pattern

. . . . having progression data of accompaniment pattern

. . . . . Generation or correction of progression data of accompaniment pattern

. . . . . Selecting from a multiple of accompaniment patterns

LB22

LB23

LB25

LB27

. . Start or stop control

. . . Break or pause

. . Control of readout position

. . Tempo

LB31

LB32

LB34

LB35

LB37

LB39

LB40

. Generation or correction of accompaniment pattern

. . Writing in memory after transcription

. Outputting contents of accompaniment pattern after change

. . Outputting accompaniment pattern after transcription

. . Avoiding generation of specified sound

. . Change with manual accompaniment

. . . Stop or pause of automatic accompaniment

MM00
AUTOMATIC PLAY

MM01

MM02

MM03

MM04

MM05

MM06

MM07

MM08

MM09

MM10

. Input of data

. . Real-time input or input by normal play

. . Step input

. . . Input by normal play devices such as keyboard

. . . Input by musical score symbols

. . . Input by ten-key or alphabet

. . Input by sheet type members

. . . with printed musical scores

. . . . Reading or recognizing musical scores

. . . by bar codes punches or the like.

MM12

MM13

MM14

MM16

MM17

MM18

MM19

MM20

. . Input by external signals

. . . Acoustic signals

. . . . Analysis of signals data archiving

. . Input of tempo

. . Input of sound volume data

. . Input of parameters or tone

. . Input of chords

. . Input of musical score signals other than notes rests

MM21

MM22

MM23

MM24

MM25

MM26

MM27

MM28

MM29

MM30

. Content of recorded data

. . Multiple parts not provided for in MM25-MM27

. . . Sub-melody

. . Multiple music

. . Base sound

. . Chord or arpeggio

. . Rhythm

. . Sound volume or intonation pattern

. . Fill-in or data for changing part of music

. . Tone

MM32

MM33

MM34

MM35

MM36

MM37

MM38

MM39

. . Recorded signals or data for other than controlling generation of instrumental sound

. . . Acoustic signals

. . . . Singing or voice

. . . Image signal or image information

. . . . for indicating musical score

. . . Character information

. . . . Lyrics

. . . Song name composer play time

MM41

MM42

MM43

MM44

MM45

MM46

MM47

MM48

MM49

MM50

. Correction or edition of data

. . Control signal or parameter

. . . Insertion arrangement of repeat signal or the like

. . Addition of other parts

. . . Mix down

. . Re-record or retry or stop

. . Correction specification of edit part or search

. . Real-time correction

. . Monitor or confirmation of recorded data

. . Quantize processing or learning function

MM51

MM52

MM53

MM54

MM55

MM56

MM58

MM59

MM60

. Replay of automatic play data

. . Selection specification of music

. . Replay of part of music

. . . Continuous replay or demo play

. . Replay of specific part

. . . Minus one

. . Start or stop

. . . Repeat or ump

. . . One key play

MM62

MM63

MM64

MM65

MM66

MM67

MM68

MM70

. . Setting of replay condition or control of replay state

. . . Setting before start of replay

. . . Control change during replay

. . . Tempo

. . . Play time

. . . Rhythm beat

. . . Tone pitch transcription

. . Processing of play such as slur or triplet

MM71

MM72

MM73

MM74

MM75

MM77

MM78

MM79

. Structure storage or transmission of data

. . Data structure or format

. . . Memory management or data compression

. . . Format change

. . . Simultaneous use of signals with different formats

. . using removable memory

. . using buffer memory

. . Transmission of data

MM81

MM82

MM83

MM84

MM85

MM87

MM88

MM89

MM90

. using for or using natural musical instruments

. . Automatic play of piano

. . Automatic play of percussion instruments

. . Automatic play of string instruments

. . Automatic play of wind instruments

. . using the arts covered by MM81-85 as input devices

. . . Processing of input signal

. . using the arts covered by MM81-85 as musical tone generation devices

. . . Correction of data by considering movement of the device

MM91

MM92

MM93

MM94

MM95

MM96

MM97

MM98

MM99

. Control in general for automatic play

. . Switch of mode operation steps

. . Indication for operation or setting

. . Synchronization of multiple signals

. . . Synchronization with manual play

. Special applications

. . Karaoke

. . Orgels melody cards or toys

. . Watches

NN00
TRAINING OR PERFORMANCE SUPPORT

NN01

NN02

NN03

NN04

NN05

NN06

NN07

NN08

NN10

. Instruction contents

. . Play instructions

. . . Key press instructions or tone pitch instructions

. . . Fingerwork instructions

. . . Instruction of operating time

. . . Instruction of operation timing

. . . . Instruction of starting play

. . . . Tempo instruction

. . Setting instruction

NN11

NN12

NN13

NN14

NN16

NN17

NN18

NN19

NN20

. Object of instruction

. . Keys

. . Frets keys or valves

. . Operation elements or pedals

. . Comparison with manual play

. . Stop pause or resume

. . Addition of instructions or alerts

. . Change of play instruction

. . Evaluation

NN21

NN22

NN23

NN24

NN25

NN26

NN27

NN28

NN29

. Instruction means instruction methods

. . Visual

. . . Lighting blinking or the like of lamps

. . . Characters

. . . Diagrams

. . . Changing colour

. . Auditory

. . . Voices

. . Messages

PP00
AUTOMATIC COMPOSITION

PP01

PP03

PP05

PP07

. Composition by extracted characteristic data

. Composition by diagram data

. Setting conditions of key

. Inputting chord progression data

QQ00
COMMUNICATION OR RECORDING

QQ01

QQ02

QQ03

QQ05

QQ06

QQ07

QQ08

QQ10

. Communication

. . characterised by transmission part

. . . Converting transmission data

. . characterised by receiving part

. . . Converting received data

. . Switching input and output such as throughput

. Recording

. Using subcode areas

QQ11

QQ12

QQ13

QQ14

. Error correction

. Addition of redundant symbol

. Prevention of non-stop sound

. Processing play data peculiar to other devices

QQ21

QQ22

QQ23

QQ24

QQ25

QQ26

QQ27

QQ28

QQ29

QQ30

. Data types

. . Tone

. . Tone pitch

. . Sound volume

. . Signals for modulation

. . Note on or off

. . Tempo

. . Synchronization signals

. . Equipment numbers or channels

. . Symbols other than the ones for musical tone control

QQ31

QQ32

QQ33

QQ34

QQ35

QQ38

. Network formation of each device

. . between musical instruments

. . Musical instruments or recording media

. . Musical instruments and computers

. . Control parts and sound generating parts of the structure of musical instruments alone.

. . Host-terminal format

SA00
STRUCTURE OF BODY

SA01

SA02

SA03

SA04

SA05

SA06

SA08

SA09

SA10

. Leg part or side panel part

. Opening for release of sound heat or the like

. Lid part

. . Foldable

. . Removable

. . for opening and closing such as hinge

. for portability

. for prevention of overturning

. characterised by exterior shape

SA11

SA12

SA13

SA14

SA15

SA16

SA17

SA18

SA19

SA20

. Storage parts of components or attachment parts

. . operation elements for generating sound

. . operation elements for modulation

. . Batteries

. . Control units

. . Speakers

. . Support for score

. . Chord

. . Removable

. Wireless or remote operation

SB00
STRUCTURE OF ACCESSORIES

SB01

SB02

SB03

SB04

. Speakers

. Chairs

. Instrument stands

. Attachments to body

SC00
THIS PLACE COVERS THE SUBJECT MATTER FOR STRUCTURES OF THE OPERATION ELEMENT FOR GENERATING SOUND OTHER THAN KEYBOARDS.

SC01

SC02

SC03

SC05

SC06

SC07

SC08

SC09

. Details of structure

. . having multiple operation parts for one operation element

. . Double axes structure

. Attached to other than musical instrument body

. . Attached to human body

. . . Belts

. . . Gloves

. . . Finger caps

SD00
STRUCTURE OF OPERATION ELEMENTS FOR MODULATION

SD01

SD02

SD03

SD04

SD05

SD06

SD08

SD09

SD10

. Pedals

. Foot switches

. Levers and knee levers

. Knobs sound plugs or panel switches

. Wheels

. Pads

. Structural details

. . Regulation part for operation of rotation

. . Rotation retention or braking part

SD11

SD12

SD13

SD14

SD16

SD17

SD18

SD19

. Cases

. Pedal boards

. Accessory devices

. Wiring between operation element for modulation and main body

. Sensor operating mechanism

. . for rotation type sensors

. . Operating multiple sensors

. . Selecting sensors by operation or rotation direction

SE00
STRUCTURE OF SWITCH

SE01

SE02

SE03

SE04

SE06

SE07

SE08

SE09

SE10

. by non-terminal switches

. . by piezo electric elements or pressure sensitive sensors

. . . by elements with changing resistance value

. . . . by pressure sensitive conducting layers

. . by optical sensors

. . . by lasers

. . . by infrared

. . . Detecting colour

. . . Detection of number character symbol pattern or the like.

SE12

SE14

SE16

SE18

. . by touch sensors

. . Solar battery type

. . Microphone type

. . by imaging means

SE21

SE22

SE23

SE24

SE25

SE26

SE27

SE28

. by contact type switches

. . by mercury switches

. . by push switches

. . . Output of multiple signals according to push-in depth

. . . . by layered switches

. . by slide switches

. . . made of contact points which slide by contacting a resistor

. . attached to print board

SE31

SE32

SE33

SE34

SE35

SE36

SE37

SE38

. by sheet sensors or switches

. . Sheet type only capable of one dimensional input

. . by mat switch

. . . arranged radially in peripheral direction

. . Two dimensional input sensors or key matrix structure

. . . using optical fibres

. . . having rearrangement devices

. . Musical score board

SF00
STRUCTURE OF ELEMENT FOR OPERATION DETECTION

SF01

SF02

SF03

SF04

SF05

SF06

SF07

SF08

SF09

. Detecting speed

. Detecting acceleration

. Detecting angle

. . Detecting inclination

. Detecting warp

. Detecting pressure

. . Detecting lip pressure

. . Detecting respiratory pressure

. Detecting striking strength

SF11

SF12

SF13

SF14

SF15

SF16

SF17

SF18

SF19

SF20

. Detecting movement of stick or baton

. Detecting playing of string choking

. . Detecting musical scale information

. . Detecting string information

. Detecting posture of specified human body part heat generation

. . Detecting bend of joint

. . . Elbows or arms or wrists

. . . Fingers

. . Detecting human movement or behaviour

. . . Wrists ankles or the like.

TT00
INDICATION

TT01

TT02

TT03

TT04

TT05

TT06

TT07

TT08

TT09

TT10

. Object of indication

. . Musical scores

. . . Position of current play

. . Pitch tones or sound names excluding musical scores

. . Chord names

. . Chord composition sounds

. . Sound generation time

. . Song names

. . Musical tone waveforms

. . Warnings

TT12

TT13

TT14

TT15

TT16

TT17

TT18

TT19

TT20

. . Parameters

. . . Parameter names

. . . Parameter set values

. . . . Standard set values or standard set position

. . . Control characteristics e.g. envelope or specific curve

. . State of device e.g. mode

. . . State of play e.g. indication of input operation content

. . . State of setting e.g. state of setting of parameters

. . . Operation volume of operation elements

TT21

TT22

TT23

TT24

TT25

TT26

TT28

. Indication means

. . Visual

. . . Diagrams or graphs or drawings

. . . Characters or numbers

. . . Lists or graphs

. . Auditory

. . Means aimed for presentation

TT31

TT32

TT33

TT34

TT35

. Control of indication

. . Selection or switching of object of indication

. . Control of indication time

. . Control of indication timing

. . Changing indication mode or form e.g. changing colour

UU00
CHARACTERISED BY INSTRUMENT FORM OR COMPOSITION

UU01

UU02

UU03

UU04

UU05

UU06

UU07

UU09

UU10

. Keyboard instruments

. . Keyboard instruments used in hand or palm

. . Paper keyboard instruments or sheet keyboard instruments

. . . Foldable when not playing

. Aerophones

. . Harmonicas

. . having tonguing sensors

. String instruments

. . Guitars

UU11

UU12

UU13

UU15

UU16

UU17

UU18

UU19

. Percussion instruments

. . Cymbals

. . Tambourines

. Musical instruments for specific usage

. . Toy instruments

. . . Animal shaped toy instruments

. . Electrical musical instruments of telephone shape

. . Electrical musical instruments used in hand or palm

UU21

UU22

UU23

UU24

UU25

UU26

UU27

. Complex musical instruments

. . Complex keyboard instruments

. . . Keyboard instruments with string instruments

. . . . Keyboard instruments with aerophones

. . . . . Combination with natural musical instruments

. . . Ensemble of mechanical sound source and electronic sound source

. . . Soundless piano

UU31

UU32

UU33

UU34

UU35

UU36

UU37

UU38

UU39

. Detecting body movements

. . Combination of multiple detection values

. . Hands or shoulders

. . . Fingers

. . . Arms

. . Feet

. . . Step mats

. . Torso

. . Head

UU41

UU42

UU43

. Other input devices

. . Pointing devices

. . Joysticks

WW00
TYPES OF INSTRUMENT TO BE SIMULATED

WW01

WW03

WW05

WW06

WW07

WW08

WW09

WW10

. Idiophones e.g. cymbals chimes or bells

. Membranophones e.g. drums

. Aerophones

. . Wood instrument with air reeds e.g. flutes piccolos

. . Wooden instruments with single reeds or double reeds e.g. clarinets or oboes

. . Brass instruments with lip reeds e.g. trumpets

. . Free reed instruments e.g. reed organs accordions or harmonicas

. . Pipe organs

WW11

WW12

WW13

WW14

WW16

. Chordophones

. . Bowed instruments e.g. violins

. . Plucked string instruments e.g. guitars or cembalos

. . Struck string instruments e.g. pianos

. Voices

XX00
COMPREHENSIVE CONTROL

XX01

XX02

XX03

XX04

XX05

XX06

XX07

XX08

XX10

. Allocation of multiple processing devices

. . Separated sound source and effect

. . Separated sound source or effect and control part

. . Separated between various effects

. Sharing multiple different processing in one processing device

. . Sound sources and effects

. . Sound sources or effects and control parts

. . between various effects

. Switching of programs

XX11

XX12

XX13

XX14

XX15

XX16

XX17

XX18

XX19

XX20

. Selection setting input or the like of various functions or parameters based on operation

. . Pre-set before play

. . . Tone or tone parameters

. . . Tone pitch

. . . Sound volume

. . . Effects

. . . Multiple selection or switching from the above four

. . . Allocation of functions to operation elements

. . . . Allocation of tone to indication device for sound generation

. . . Registration of preset data

XX22

XX23

XX24

XX25

XX26

XX27

XX28

XX29

XX30

. . Operation during play

. . . Tone or tone parameters

. . . Tone pitch

. . . Sound volume

. . . Effects

. . . Multiple selection or switching from the above four

. . . Allocation of functions to operation elements

. . . . Allocation of tone to indication device for sound generation

. . . Readout of pre-set data

XX32

XX34

XX36

XX37

. . Switching input and output of play data

. . having limited selection or setting range

. . Prohibition of set or selected operation

. . . Undo

XX41

XX42

XX43

XX45

XX46

XX47

XX48

XX49

. Other control or the like.

. . Examination test of various functions or the like.

. . Search

. . Power source

. . . Initial setting at power ON

. . . . Interlocking of multiple devices

. . . Terminating operation at power OFF

. . . . Interlocking of multiple devices

YY00
ELECTRICAL MUSICAL INSTRUMENTS WITH NON-ELECTRONIC SOUND SOURCE

YY01

YY02

YY03

YY05

YY06

YY07

YY09

. String vibration

. . Electric guitars

. . . Tremolo arms

. Membrane vibration

. Reeds

. Tuning forks rods or pipes

. Tone wheels

ZZ00
COMMONLY ASSIGNED F-TERMS

ZZ01

ZZ03

ZZ05

. Purpose

. Composition

. Processing

5D378	Electrophonic musical instruments
	G10H1/00 -7/00,541